Calendar

ANNAHME Basel presents photographs from the artist’s book *Alternative Moons* by Nadine Schlieper and Robert Pufleb.
Informal opening under a full moon starting Tuesday, March 3, 2026, at 6:29 p.m. Open 24/7 for the next two lunar cycles.
At the same time, “Alternative Moons” will be projected onto the LED wall at the Johannes-Rau-Haus in Düsseldorf at the invitation of Neue Fotografie (www.neuefotografie.com)

OPENING NIGHT – March 27, 2026
7:00 PM: Opening and experimental cocktail reception by Laurie Mlodzik
10:00 PM: Concert by infinideaux
11:00 PM: DJ set by Laputz
EXHIBITION DETAILS
Dates: March 27 – May 1, 2026
Opening Hours: Every Friday, 6:00 PM – Midnight
Location: AMORE, Gartenstrasse 143, 4052 Basel
ADDITIONAL EVENTS
Curator Tour | Wednesday, April 1 | 6:00 PM. A guided tour with Chris Hunter and Chris Regn.
FINISSAGE | Friday, May 1 | 6:00 PM
8 PM: Concert Simon Sauerkraut
9 PM: Concert LYSANN
10 PM: Live set OIOX

14. März – 16. Mai 2026
SHINE
Codax | Degen | Göttin | Hukuda | Kien | Mosset
Hebel_121 is showcasing with SHINE artworks ranging from objets trouvés to ready-mades to concrete-constructive wall objects to monochrome paintings created by using unusual materials and techniques.

Leadora Illmer, Sarina Tharayil
The Archiv der vollen Bäuche (Archive of Full Bellies) comprises a walk-in, participatory installation and is brought to life by a series of events. The installation shows the existing collection of visual and audible food memories, recipes, culinary stories and a chaotic library. The project aims to take everyday cooking, writing and talking about food seriously, to explore it critically and at the same time to make it (more) accessible. Finding an expression for what nourishes us and how we feed ourselves is an act of understanding, of remembering, of experience. The Archive of Full Bellies was founded in 2023 as a research project by Leadora Illmer and Louisa Raspé. Leadora Illmer opens the archive in the foyer of the AK and, in cooperation with Sarina Tharayil, invites you to come together and continue filling it.
Archiv der vollen Bäuche is supported by Christoph Merian Stiftung and Abteilung Kultur Basel-Stadt.
- 28.03.2026, 18:00—21:00: Opening
- 09.04.2026, 19:00—22:00: Writing Workshop
- 25.04.2026, 17:00—19:00: Readings: Gossip No. 3 ‚Rezepte'
- 03.05.2026, 13:00—16:00: Workshop: Sourdough & Stamping
- 16.05.2026, 18:00—22:00: Finissage
Ausstellungsraum Klingental
Kasernenstrasse 23, 4058 Basel
Mi–Fr: 15:00–18:00
Sa–So: 13:00–18:00

City SALTS: Uncanny Garden
26.3 – 29.5.26
Group exhibition as part of the Basel Dokumentartage
The group exhibition Uncanny Garden transforms City SALTS into a breathing parcours suspended between attraction and unease.
Visitors encounter doll-like beings, humanoid presences, anthropomorphic figures, and manifestations of artificial intelligence. Artistic forms guide them into the uncanny valley, where increasing resemblance no longer produces closeness but instead gives rise to discomfort.
In the Uncanny Garden, new connections take root – between us and the images we create of ourselves.
Uncanny Garden unfolds across the entire exhibition space and garden. Two new rooms are inaugurated. Following On Fire – Vulnerable Footage (2019), this group exhibition marks the second collaboration between SALTS and the Basel Dokumentartage festival.
«It’s The Real Thing – Basler Dokumentartage 5» is supported by the Swisslos-Fonds Basel-Stadt, Swisslos Basellandschaft, Pro Helvetia, Ernst Göhner Stiftung, Stanley Thomas Johnson Stiftung, and Christoph Merian Stiftung.
Image © Paul Max Fischer

Timo Paris – THE LIVING LINE
May 13–31, 2026
Artstübli – Art & Culture
You are cordially invited to the opening: May 13, 2026, 6:00 p.m.
Closing event: May 30, 2026, 2:00–6:00 p.m.
Open Studio: May 31, 2026, 10 a.m.–6 p.m.
In May, Artstübli – Art & Culture will become the temporary studio of Basel-based artist Timo Paris. During his residency, Paris will work on-site daily on a large-scale drawing scaled to the dimensions of the exhibition space, opening up his creative process to visitors. Over the course of several weeks, the art space will thus transform into a vibrant working environment where drawing can be experienced as a time-based and physical practice. The work is created in connection with his long-term project The Living Line. In this project, Paris understands drawing as movement, trace, and social form. The starting point is his artistic practice, which lies at the intersection of breaking, performative research, and drawing. Physical movement is translated into lines, and lines, in turn, become starting points for new encounters, collaborations, and transformations. Drawing appears here as an open process that continues to evolve across places, people, and time. Timo Paris will be present most days during his residency. Visitors are invited to witness the work’s creation process and gain insight into his working methods. A central component of the project are so-called City Drops.
In this project, the artist places small drawings in public spaces and sets them in circulation. People who find these works become part of a growing network that carries the drawings forward, documents them, and, by bringing them together, gives rise to new generations. In this way, *The Living Line* unfolds as a collective process within the urban public sphere.
Most days, the artist works on-site between 9:00 a.m. and 4:00 p.m.; visitors are welcome to stop by during these hours and observe his creative process directly in the studio.
As part of the accompanying program, public dance sessions will take place. These open gatherings offer the opportunity to meet dancers from the local breaking scene, train together, or simply watch. No registration is required.
Public dance sessions (6:00–9:00 PM each):
May 19, 2026
May 21, 2026
May 26, 2026
May 28, 2026
As part of the Atelier Ouverts on May 31, Timo Paris will present the works created during his residency and provide insight into the further development of his project on site.
Timo Paris works at the intersection of dance and visual art. In his multidisciplinary practice, he explores the relationship between body, space, and perception, combining media such as movement, drawing, film, photography, and sculpture. Paris studied Fine Arts at the HGK FHNW (BA 2020, MA 2024).
In this project, the artist places small drawings in public spaces and sets them in circulation. People who find these works become part of a growing network that carries the drawings forward, documents them, and, by bringing them together, gives rise to new generations. In this way, *The Living Line* unfolds as a collective process within the urban public sphere.
His works have been exhibited internationally, including at MAINTENANT in Marfa (Texas), at HANGAR in Lisbon, at Kunsthaus Baselland, at the Fondation Beyeler, and at the LISTE Art Fair Basel. In addition to his exhibition work, Paris is active as a performer and educator and has been involved in the Flavour Crew Basel mentorship program since 2019, where he promotes intergenerational exchange within hip-hop culture.

VIATORE von Andre Willi (FLURE)
19.1 – 1.6.26
Oslo-Strasse 10, 4142 Münchenstein (Freilager-Platz)
Traces are laid down through brushstrokes – a “calligraphic seismogram” of sounds drawn from the eponymous musical work by Pēteris Vasks.
Viatore tells the story of a wanderer who enters the world, grows, develops and falls in love, eventually reaching a certain maturity before leaving the world again. The “wanderer” breaks through the masonry into the corridor of the Oslo Studios, walks along it for a while, lives his life there, and then disappears again through the opposite wall of the corridor into the infinity of the cosmos.
Friday, 19 Jan, 1–2 pm (following the Meet & Eat at Cuisine Mondial) – a collective walk through the corridors with Andre Willi, coffee & cake
Saturday, 20 Jan, 6–7 pm (together with “The Others” at Cuisine Mondial) – a conversation in the corridor with Andre Willi and an apéro
Afterwards, the work can be seen in our corridors for an indefinite period of time.
Curated by Axel Töpfer, axel@sirenen.name

REWRITING REGION
20.3 – 5.6.26
What does regionality mean? How is a region constituted if we take into account the many entanglements of migration, memory, language, social relationships, and historical shifts? In that case, it can no longer be confined to a geographical place, but unfolds as a mobile, shifting formation. Which stories we tell about “our” region – what becomes visible through them, and who is rendered invisible – these and further questions form the focus of the workshop.
The workshop evenings take place at Literaturhaus Basel and are co-led each time by the author Eva Seck and an artist. The artists contribute thematic and conceptual input; building on this, Eva Seck develops writing prompts that are explored during the workshops. In addition, participants have the opportunity – based on the writing workshop – to attend a zine workshop led by the semi-anonymous queer collective Q.U.I.C.H.E at Kunstraum DOCK. Participation in the zine workshop is optional.
The results of the workshop series will become part of an exhibition at DOCK, which will be on view in DOCK’s shop windows from 27.06. to 24.07. The vernissage at DOCK will include a short reading from the texts created.
REGISTRATION
Directly via the registration form or via info@literaturhaus-basel.ch / by phone at +41 (0)61 261 29 50
COSTS
CHF 10*
*If you are not able to pay the course fee, please include with your registration a motivation letter (max. 1 page) explaining what interests you about the topic “ReWriting Region” and how you would like to engage with it through writing.
REGISTRATION DEADLINE
Thursday, 4 March 2026
Contributors and biographies:
Course lead, author: Eva Seck
Course lead, artist: Monika Dillier
Course lead, artist: Ana Vujić
Course lead, artist: Akwasi Glenn Asumadu
Zine workshop: Q.U.I.C.H.E. collective
Programme
Fri 20 March – Fri 05 June: WORKSHOP
A workshop series with Eva Seck, Monika Dillier, Ana Vujić, and Akwasi Glenn Asumadu, and the Q.U.I.C.H.E. collective
Fri 20 March, 7:00–9:00 pm: WRITING WORKSHOP AT LITERATURHAUS BASEL
with Eva Seck and Monika Dillier:
Existing short texts, media images, and personal material by Monika Dillier serve as a starting point to critically reflect on migration in connection with gender roles.
Fri 24 April, 7:00–9:00 pm: WRITING WORKSHOP AT LITERATURHAUS BASEL
with Eva Seck and Ana Vujić:
This evening explores personal stories of migration, mobility, and everyday experience “here” and “there,” making the diversity of the participants’ transnational biographies visible.
Fri 29 May, 7:00–9:00 pm: WRITING WORKSHOP AT LITERATURHAUS BASEL
with Eva Seck and Akwasi Glenn Asumadu:
Akwasi Glenn Asumadu initiates an engagement with everyday narratives of Black communities in Basel. In doing so, it becomes tangible how belonging, migration, and regional identities can be renegotiated through personal perspectives.
Fri 05 June, 4:00–7:00 pm: ZINE WORKSHOP AT DOCK
Together with members of the Q.U.I.C.H.E. collective, which uses zines as an important medium in its own work, participants can discover the possibilities of zines and receive inspiration for designing small publications.
Fri 26 June, 7:00 pm: VERNISSAGE

druckwerk as machine imaginaire
A generative printmaking workshop
Taking inspiration from the current Vera Molnár exhibition, Möglichkeiten at Kunstmuseum Basel, druckwerk becomes machine. Workshop participants are the working components carrying out series of step-by-step instructions to yield unique and unpredictable outputs. Constraints, controlled changes and chance elements are put into play with traditional analog printmaking techniques in an exploration of variation, surprise and discovery.
Saturday, May 9 and Sunday June 7, 2026, 11–16 h, CHF 120
Druckwerk Basel /Warteck pp
Course Instructor: Lucinda Tanner
Course Languages: German/English
Registrations through office@druckwerk.ch
Registration deadline: 6. Mai 2026

Katharina Rüll
WASTELAND
May 24 – June 14, 2026
In the exhibition “Wasteland,” FABRIKculture transforms into a surreal world. Here, classical landscape depiction meets the stylistic elements of science fiction. Inspired by the surrounding landscape—the border region between Allschwil and Hègenheim—Katharina Rüll creates a scene that invites both dreaming and reflection. For her installation, the artist uses trash collected during hikes through the border region, mostly pieces of Styrofoam. Thus, her artificial landscapes remind us of how our waste often irrevocably merges with nature. The melancholic-romantic atmosphere is both enchanting and unsettling.
Guided Tours
Saturday, June 6, 2026 | 3:00 p.m. | Katharina Rüll (tour in German)
Sunday, June 7, 2026 | 3:00 p.m. | Clément Stehlin (tour in French)
Performance Program
Saturday, May 30, 2026 I 3 p.m. I Katharina Rüll
Sunday, May 31, 2026 I 3 p.m. I Imma
Opening Hours:
Saturday & Sunday 11 a.m.–6 p.m.
FABRIKculture
60 Rue de Bâle, 68220 Hégenheim, France

Roman Selim Khereddine
25.04.2026–20.06.2026
Opening: 25.04.2026, 18h

Human Song – Was uns zusammenhält
A collaboration between BelleVue and the State Archives of Basel-Stadt,
initiated by the Christoph Merian Foundation
Sunday, March 22 through Sunday, June 21, 2026
Indoors: BelleVue – A Space for Photography, Sat & Sun, 11 a.m. – 5 p.m.
At the outdoor venues: Matthäuskirche, Kaserne, and the courtyard of the State Archives
Contemporary photographers:
Stephanie Meier and Rut Himmelsbach
Historical photographers, 1902–1990:
Hans Bertolf, Lothar Jeck, Rolf Walter Jeck, Foto Jeck, Alfred Kugler, Fotoarchiv Wolf
Opening Reception
Saturday, March 21, 5 p.m.
Opening Hours
Saturday and Sunday, 11 a.m. to 5 p.m.

Shifting Matters
21.3 – 28.6.26
What remains when everything is in motion? In the group exhibition Shifting Matters, Vanessa Billy (*1978), Maya Bringolf (*1969), Jannik Giger (*1985), and Zimoun (*1977) explore the question of how we relate to different materials, environments, and to one another in today’s world. Their works invite viewers to experience change and movement as ongoing processes that connect past and present.
The four artists each set distinct emphases: Bringolf works with assemblages made from found and recycled materials; Billy examines the connection between body and earth; Zimoun translates movement and rhythm into acoustic resonance; and Giger explores transformation through sound, gesture, and image.
Together, their works create a multilayered interplay of forms, sounds, and perceptions, in which instability, renewal, and the potential of continuous change become tangible.
Curated by Patrizia Keller (Director, Kunstraum Baden) and Chantal Molleur (Co-founder and Head Curator, White Frame).
Information and events
Opening Reception:
Friday, 20 March 2026
6:30 pm Doors open
7:00 pm Welcome by Steffi Kessler, City Councillor Exhibition introduction by Patrizia Keller, Director of Kunstraum Baden, and Chantal Molleur, Co-founder and Head Curator of White Frame
Art at Noon:
Thursday, 26 March, 12:00 pm
Children’s Workshop “Shaping and Transforming”:
Thursday, 16 April, 2:00 pm
Screening:
Thursday, 23 April, 7:00 pm
A short film program curated by Chantal Molleur
Music Performance – HOAX Quartet:
Saturday, 2 May, 5:00 pm
The HOAX Quartet presents RELIC, its new program for four electric guitars, including a composition by Jannik Giger.
International Museum Day
Children’s Workshop “Shaping and Transforming”:
Sunday, 17 May, 2:00 pm
Artist Talk:
Thursday, 28 May, 6:30 pm
Vanessa Billy, Maya Bringolf, and Jannik Giger in conversation with the two curators
Art at Noon:
Wednesday, 10 June, 12:00 pm
Curators’ Tour:
Sunday, 28 June, 2:00 pm Exhibition tour with both curators

2026 – Making of Invitro No. 37 – Iactatio
“Iactatio” A Coin Toss for the Gods
Topics:
Sacrifice, Grace, Future, Meritocracy
Context:
Faith, Superstition, Classical Studies, Achievement as a Moral Foundation
Materials:
Gold and silver stamping ink, 3 stamps
References:
– “Gegen die Merokratie” (republik)
– Uni Basel – “iactatio” (Ein Münzwurf für die Götter)
– Ren – “Money Game” (Official Music Video Part 3)
2026: EINVIERTELJAHRHUNDERT (A QUARTER OF A CENTURY)
Twenty-five years ago, in 2001, conceptual artist NIEL THALER founded the INVITRO project.
Through it, he has been using what has always been the city’s smallest off-space. Each year, Thaler himself realizes one or two projects in a former restaurant display window on Gerbergasse. Small in scale, yet accessible to downtown passersby around the clock, the diverse, always thematically focused exhibitions take shape. Each project starts virtually from scratch, and only the size of the installations is dictated by the venue. At invitro, the focus is on continuity and a versatile formal language.
invitro no 37 - iactatio
Gerbergasse 24, 4001
Dauerausstellung